Archive | Music Industry RSS feed for this section

Adam Lambert is Back with “Another Lonely Night” Music Video

9 Oct

Adam Lambert’s new music video is on Youtube. Although, as of 10/9/15 12:50AM, it is still unlisted and therefore won’t show up in a search or on Lambert’s list of music videos, you can watch it if you have the link to the direct URL. Luckily, I do. And now, I am sharing it with you. ;P You can watch “Another Lonely Night” HERE.

“Another Lonely Night” is the second single off of Lambert’s third studio album, The Original High. Luke Gilford directed the music video; Adam Lambert, Sterling Fox, Max Martin and Ali Payami co-wrote the song.

Internationally, “Another Lonely Night” was released early in Poland and South Africa. It is currently charting at #s 28 and 35 on the iTunes charts of the two countries, respectively. “Ghost Town,” meanwhile, remains at #52 on MediaTraffic’s global singles chart, at #44 on the worldwide Spotify chart, and in the Top 25 on 12 countries’ iTunes charts (#3 Kazakhstan; #9 Finland; #9 Hungary; #11 Luxembourg; #12 Czech Republic; #14 Belarus; #16 Portugal; #21 Germany; #22 Namibia; #22 Netherlands; #23 Poland; #24 Austria). “Ghost Town” peaked in the Top 20 of the US Pop and Adult Pop Songs airplay charts, and at #64 on the US Hot 100. It peaked at #1 on Poland’s official airplay chart and at #2 on the official singles charts of Australia and South Africa. It has been certified for platinum sales in both Poland and Australia. It is currently sitting at a to-date peak of #12 on Germany’s official singles chart.

My personal opinion? I’ve always thought “Another Lonely Night” was a stronger single choice than “Ghost Town.”

 

REPOSTED FROM:

Adam Lambert is Back with “Another Lonely Night” Music Video

Check out Music Industry Sandbox for in depth coverage of artists and the music industry.

Adam Lambert reaches Top 20 on Pop Songs

22 Sep

Adam Lambert has finally reached the Top 20 on Billboard’s Pop Songs airplay chart in its 18th tracking week. For full details on the milestone this represents, and how it was achieved, see the full post on Music Industry Sandbox:

Adam Lambert finally reaches Top 20 on pop radio spins per mediabase

Aside

New Music From Lady Gaga; Early Stats

18 Sep

Lady Gaga just released a new music video. To see how it’s doing after its first 18 hours of release, take a peak at the numbers I just crunched over on Music Industry Sandbox.

Check Out my New Blog, Music Industry Sandbox; Haley Reinhart’s New Material

16 Sep

I’ve set up the first of a series of independent blogs in the Sometimes Profound Network. Sometimes Profound has had a very large scope in the past, covering just about everything I find interesting enough to write about. I think it is time to subdivide the blog, so that people who are interested specifically in the intense coverage of the music industry and specific artists can get that, while people who are interested in something else, don’t have to sift through what they are not interested in.

Music Industry Sandbox is a place for numbers geeks and superfans to geek out about the music industry and specific artists within it. It is a place for cranking out numbers, making predictions, and compiling information beyond the scope of what is generally available on, say, a wikipedia page.

If you are interested, you can check out one of my first blog posts introducing Haley Reinhart, who, in my opinion, is the most talented vocalist to ever come off of American Idol. While most Idol alums fade into obscurity after their first album’s initial sales bump immediately after the show, Haley has landed a gig voicing a little boy on a Netflix animated series, she has conquered the internet with a stunning cover of Radiohead’s “Creep,” and she has crowd-sourced sufficient funding to release an EP and a single on her own terms and in her own style. I don’t know that she will ever be at home on Billboard’s Pop or Hot 100 charts, but for people who appreciate actual vocal talent and original, interesting, non-formulaic music, Haley is someone to watch.

Haley Reinhart to Release New EP & Single

I will probably post links to some articles from Music Industry Sandbox here for a while, while it is still getting on its feet. But, ultimately, if you want that content, you are going to have to subscribe to that blog. Pretty much my entire Music Industry category is migrating.

Peace.

Suspension of Political Coverage; Adam Lambert Earns New Peak on the Hot 100

15 Sep

I will be suspending coverage of politics and political issues on this blog effective immediately in order to avoid the appearance of impropriety. I have recently been appointed and sworn in to the high post of Intern for a Federal Judge. Literally, I was sworn in. So now, I have an oath to uphold the Constitution and a duty to keep my lips sealed. I pretty much have no opinions on anything in writing until December.

For now, everyone enjoy the Wednesday Republican debate, where Carly Fiorina is scheduled to attempt a take-down of Donald Trump after he said something unkind about her face. If nothing else, it should at least be better than most other reality television shows.

In other news, in its lucky thirteenth week, Adam Lambert’s new single “Ghost Town” gains eight slots and reaches a new peak on the Billboard Hot 100. Do you think it’s a fluke, or is this song a hit? Have a listen here and share your thoughts in the comments below.

“Another Lonely Night” is the New Single from Adam Lambert

7 Sep

First there were murmurings from South Africa. Then, the song started heating up Polish iTunes and radio as youtube views started taking off. Now, finally, Adam Lambert’s new single is hitting British radio. Here is a tweet from a radio station in Wales:

@redroadmornings We are back! with your requests, a brand new big tune of the week from , a new album of the week from and a lot more!

This, while “Ghost Town” is still one of the 25 most shazammed songs in the world, and the #36 most shazammed song in the USA.

Adam will likely wait for “Ghost Town” to peak before releasing “Another Lonely Night” in the USA, but it is a clear choice for the next single, and its selection in several other countries (including, apparently, the U.K. now) strongly implies that it will be the next single off the album back here in the USA as well.

“Another Lonely Night” has already overtaken “Ghost Town” on the South African and Polish shazam charts, giving Adam Lambert simultaneously two of the 25 most shazammed songs in Poland. In the USA, “Ghost Town” rises #24-#23 on pop radio airplay (by audience impressions) today, and looks like it will rise to a new peak of #22 tomorrow.

“Fancy” v. “Problem” – Which is the Real Song of Summer 2014?

28 Aug

In the early part of the summer of 2014, “Problem,” by Ariana Grande feat. Iggy Azalea sat in the #2 slot behind “Fancy” (Iggy Azalea feat. Charli XCX) for five weeks, and ultimately was declared the runner up Song of the Summer. When Fancy managed to hold onto the #1 slot for two additional weeks after “Problem” fell out of the top two, I was forced to concede that “Fancy” was definitively the stronger hit. But, if you look at the youtube view counts of the two music videos today, you will notice that “Problem” has recently overtaken “Fancy,” and that its lead is rapidly growing (to the tune of 300,000 views/day).

So, is “Fancy” really the bigger hit, in hindsight? 

To answer this question, we are going to need to look at what has driven the view disparity. But first:

The story of the view battle.

“Fancy” was released in early March, and it steadily built radio airplay, sales, and streaming until it neared the apex of the Hot 100. Just as it was about to claim the throne on the strength of a substantial 222,000 sales, Ariana Grande released her new single, “Problem,” and garnered an astonishing 438,000 sales in the span of a single week, the most since Katy Perry’s “Roar” had debuted at #1 a year earlier. As “Fancy” narrowly fended off “Problem” for the crown of the Hot 100, “Problem” ‘s star-powered start at youtube quickly eclipsed “Fancy” ‘s budding view-count.

But all was not lost. “Fancy” had clawed its way to the apex of the Hot 100, and on the strength of established radio airplay, it clawed its way ahead of “Problem” on youtube, and slowly regained its air of superiority.

For five weeks, “Fancy” held the top spot on the Hot 100 over “Problem,” despite rapidly increasing radio airplay for the latter and continued strong sales. But then “Problem” ‘s sales finally began to falter as its airplay peaked, and it succumbed to ascendant hit “Rude” by Magic!. After holding the top slot for two more weeks, “Fancy” was able to claim the prized title of “Song of Summer 2014,” over respective runner-ups “Problem,” and “Rude.”

Iggy Azalea later released a fitting song called “Iggy SZN” (pronounced Iggy season). It really was Iggy season. She had taken her first two Hot 100 hits to #s 1 and 2 concurrently for numerous weeks. Then, she starred in a followup single, “Black Widow” feat. Rita Ora, that peaked at #3. Her “Fancy” co-collaborator, Charli XCX, meanwhile, released another top ten hit, “Boom Clap,” while Ariana Grande enjoyed the spotlight of several more hits. Iggy was hot. Until she was not.

Iggy had several singles flop. She had numerous social media beefs and flare-ups that garnered negative media attention. She was accused of being racist, or at least racially insensitive, partly due to her assimilation of a “blaccent” for her hit song “Fancy.” She canceled her tour because she “wanted it to be perfect.” But some people insinuated that it was due to low ticket sales. Then, her intended recovery hit single with Britney Spears, “Pretty Girls” flopped. To top off injury with insult, her prized single, “Fancy,” which had once accumulated about a 40 million view lead over “Problem,” was finally surpassed in views by the runner-up song of the summer of 2014.

Of course, Iggy gets the consolation prize of having been a featured artist on “Problem,” but really, it was an Ariana song. So, maybe the negativity surrounding Iggy helped depress her view count a bit, mostly, I think that is just by preventing her future singles from becoming smashes that could drive continued traffic back to “Fancy.”

“Fancy” views were boosted by “Black Widow” and maybe “Boom Clap,” but Iggy and Charli haven’t had any hits since then. Ariana has had several hits since then, the most recent peaking only a few months ago.

If you have a music video on your page that generates 1 or 2 million views/day, then it should come as no surprise that the other videos on your page might see a small boost because of it (say, 100,000/d). In a collapsing major hit like “Problem” or “Fancy,” you might not notice the bump much, as it might simply keep the song afloat at current view levels longer.

Iggy and Charli each had a second top ten hit on the Billboard Hot 100 last summer, with “Black Widow,” and “Boom Clap.” But, since then, they haven’t really had anything majorly successful. Iggy teamed up with Britney Spears for a “Pretty Girls” video that got strong initial views, but after the song flopped at radio (with seriously terrible audience ratings), the youtube views collapsed. Still, it was generating over 1 million views for quite a while, and it likely helped “Fancy” ‘s view-count a bit.

Ariana Grande, on the other hand, has had a steady stream of hits. “Bang Bang” and “Break Free” peaked in the top 5, “Love Me Harder” peaked at #7, and “One Last Time” peaked at #13 as recently as early May. She also released a Christmas song, “Santa Tell Me” that was getting about 1 million views/day before the season ended.

Finally, you have to keep in mind that everything Iggy Azalea has done has benefited the “Problem” music video (on which she was featured) as well as the “Fancy” video, whereas Ariana’s star power has been focused on “Problem” ‘s success.

So, the driver of “Problem” ‘s youtube view-count success is more “Ariana Grande post-hoc star power” and less “strength of ‘Problem’ as an actual hit.”

Conclusion

My verdict: “Fancy” is still the bigger hit.

“Fancy” pulled two largely unknown artists from oblivion to international stardom through its shear awesomeness. “Problem” was a huge it, and deservedly so. It capitalized on Ariana’s pre-existing popularity perfectly, and started a sequence of hit singles for her. It is easily her biggest hit to date. But, ultimately, it sat behind “Fancy” on the Hot 100 for five weeks in a row before collapsing. It has managed to pull into the lead on total youtube views, but that is due primarily to post-hoc star power, not due to the strength of the single itself. And, Iggy’s star power has been split between the two competing singles, so it was never really a fair race to begin with.

In hindsight, “Fancy,” by Iggy Azalea feat. Charli XCX remains the Song of Summer 2014!

“Ghost Town” rises #16 to #2 in the Land Down Under

8 Aug

Following his performance on the Australian version of The Voice, Adam Lambert’s new single shot to the top of the Australian iTunes chart, where it is still standing strong. As a result, “Ghost Town” leapt from #16 to #2 on Australia’s premier singles chart, ARIA, for the tracking week ending Friday, August 7th. One Direction’s new single, “Drag Me Down The Original High, meanwhile, returns to #6, near its #4 debut/peak.

“Ghost Town” has spent 11 weeks on Australia’s singles chart. It has also peaked in the top ten in South Africa, the Netherlands, and Poland. It is currently charting on iTunes in 37 countries. For the week ending July 31st, “Ghost Town” ranks at its peak-to-date of #67 on the US Billboard Hot 100 while The Original High ranks at #98 on the Billboard 200. Lambert ranks at #88 on Billboard’s (US) Artist 100.

Lambert’s prior singles, “Whataya Want from Me,” and “If I Had You” are also tracking in the iTunes of Australia and New Zealand. Lambert is slated for performances in both countries when he goes on tour starting in early 2016.

Can One Direction Steal a #1 Debut on the Hot 100?

6 Aug

With it’s first single since the loss of Zayn Malik shocked One Directioners the world over, the band is facing a test of the continued devotion of its fan base. The verdict? More enthusiasm than ever.

“Drag Me Down” is currently headed for the highest debut of the year on the Billboard Hot 100 with perhaps 340,000 downloads.

So, how high will 1D debut?

Billboard says it will likely debut in the Top 5. But, could it debut at #1? Let’s look at the numbers.

Per Billboard, we have an insider estimate of at least 5 million US streams and perhaps 340,000 sales. Radio airplay in its first three days of availability totaled 10 million audience impressions. I estimate that billboard figures will show about 21 million +/- 2 million audience impressions for the radio tracking week ending Sunday, the 9th. You can create your own estimate from publicly available information for free here, here, and here.

Other possible contender’s for the #1 slot:

Omi’s “Cheerleader,” which has been #1 for four weeks.

Last week’s performance – 

Sales: 148,000; down 9%

Airplay: 140 million; up 5%

Streams: 16.1 million; up 17%

This week’s estimated performance – 

Sales: 128,000; down 13%

Airplay: 145.85 million; up 4.18%

Streams: 16 million

The Weeknd’s “Can’t Feel My Face” which has been #2 for three weeks. 

Last week’s performance – 

Sales: 148,000; up 21%

Airplay: 144 million; up 5%

Streams: 13.1 million; up 21%

This week’s estimated performance – 

Sales: 150,000; up 1%

Airplay: 151 million; up 4.9%

Streams: 14 million

The Formula

Billboard doesn’t publish its actual formula as a matter of course, but it does allude to it frequently enough that we can generate a reasonable estimate. We know, specifically, that 13.7 million streams is approximately equal to but greater than 172,000 sales is approximately equal to but greater than 122 million radio audience impressions. So, let’s assume that 13 million streams actually equals 175,000 sales actually equals 140 million audience impressions. That implies that 1 million streams equals 13,462 sales equals 10.77 million radio audience impressions equals 1 chart point.

The Weeknd: 14 + 14.02 + 11.14 = 39.16 chart points

Omi: 16 + 13.54 + 9.51 = 39.05 chart points

One Direction: 5 + 1.95 + 25.26 = 32.21 chart points

The Weeknd – One Direction: 6.95 chart points, or 21.58% of One Direction’s expected points.

Conclusion

One Direction is probably not going to debut at #1 on next week’s Hot 100. Assuming they got an almost fantastical 31.77 million radio audience impressions and 7 million US streams, they would still need about 392,000 sales to take the lead, unless the other two contenders were to do markedly worse than expected, or unless my estimate of Billboard’s formula is way off the mark. Instead, it looks like The Weeknd’s “Can’t Feel My Face” will eek into first place on the strength of a headlining spot at Lollapalooza 2015 and a music video debut.

One Direction should debut inside the Top 5 of the Hot 100, but almost certainly not higher than #3.

Lady Gaga Teases New Pop Album

3 Aug

According to a recent instagram tease, Lady Gaga’s fifth (sixth if you count the Fame Monster separately) studio album is on its way. Now that she is done touring with Tony Bennett, she can devote her attention full-time to recording her next album–that is, aside from filming the sixth season of American Horror Story.

Under a simple selfie, Gaga posted, “LG5 time.”

I will of course, have further updates on the prospects of Gaga’s first pop studio album since Artpop, as I read the tea leaves in the coming months.